A compilation of some very interesting links to public domain ebooks and journals with a focus on natural history, hunting, taxidermy, and the curious side of history.
Artist Photographer, Graphic Designer, and researcher focused on the history of taxidermy and natural history collections, with a special interest in 19th century culture.
Please note: Annick @Aldoworkshop is not affiliated with the Royal Museum for Central Africa, rather a natural history enthusiast dedicatedly passionate about the museum and its mission.
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The Creation of the Congo Museum - Tervuren
Colonial mission is staged as heroic adventure with Belgium playing the role of savior and civilizer of Congo, 1897.
The Royal Museum for Central Africa — a museum with a worldwide reputation in the fields of natural history and anthropology — was a product of the 1897 Colonial Exhibition in Tervuren. There, the 'Palais des Colonies' was purpose-built for the occasion to showcase and promote commercial and public interest for King Leopold II's Congo Free State. Following its great success, as well as arousing wide scientific interest, the temporary exhibition was transformed into a permanent cultural and scientific institution, ‘Musée du Congo’, which opened to the public in 1898.
To accommodate the museum's rapidly growing collection a new neoclassical palace-style building was designed by French architect Charles Girauld. Its construction began in 1906 and was inaugurated as the new ‘Musée du Congo Belge’ in 1910 by King Albert I, renamed ‘Musée Royal du Congo Belge’ in 1952, and finally, when Congo gained Independence in 1960 it became ‘Musée Royal de l'Afrique Centrale’.
Musée du Congo in pictures
Palais des Colonies became Musée du Congo, and a permanent exhibition was installed in 1898.
The building was designed by the Belgian architect Albert-Philippe Aldophe and the classical gardens by French landscape architect Elie Lainé.
Architects associated with the Art Nouveau movement contributed to the interior design of the Palais des Colonies, such as Paul Hankar, Henry van de Velde, Gustave Serrurier-Bovy, and Georges Hobé.
The ‘ethnographic’ sections were grouped in six compartments, separated by Art Nouveau partitions designed by Hankar, incorporating sixteen friezes decorated with paintings of ‘indigenous scenes’ by Adolphe Crespin and Edouard Duyck. The exhibits included eight groups of life-size figures representing Congolese ethnic groups by Isidore De Rudder, Julien Dillens, and Charles Samuel. Consisting of twenty-one polychrome sculptures adorned with authentic items of dress and accessories to enhance their realism.
Musée du Congo : Ethnographic room, 1898.
Musée du Congo : Natural History collection, 1898.
Musée du Congo : Natural History collection, 1898.
Musée du Congo : Fluid-preserved specimens of reptiles and fish, before 1910.
Musée du Congo : Ethnographic room, 1898.
Musée du Congo : Vuakusu-Batetela defending a woman against an Arab by Charles Samuel, 1897.
Musée du Congo : Native carriers by Julien Dillens, 1897.
Musée du Congo : A Teke chief of the Cristal Mountains by Julien Dillens, 1897.
Musée du Congo : Bangala fishermen by Isidore De Rudder, 1897.
Musée du Congo : Sango dancers by Julien Dillens, 1897.
Musée du Congo : Azande musicians by Charles Samuel, 1897.
Musée du Congo : Mayombe family scene by Isidore De Rudder, 1897.
Musée du Congo : Zappo zap blacksmiths by Isidore De Rudder, 1897.
Five interior scenes by Alexandre (Albert-Edouard Drains) @ wellcome images uk
Theodore Masui, Guide de la section de l'Etat indépendant du Congo à l'Exposition de Bruxelles - Tervueren en 1897, Bruxelles : Impr. Veuve Monnom, 1897.
Maarten Couttenier, Congo tentoongesteld: een geschiedenis van de Belgische antropologie en het museum van Tervuren (1882-1925), Leuven : Acco/KMMA, 2005.
Artist Photographer, Graphic Designer, and researcher focused on the history of taxidermy and natural history collections, with a special interest in 19th century culture.
The mounting of the Tervuren elephant took 12 men and six months to complete. The process was filmed at Rowland Ward's workshop. However, the film is lost, or at least presumed lost. Could it be that this unique bit of Rowland Ward history has vanished without a trace ? - Read more Here
Africa Museum Tervuren
Rowland Ward & RMCA
Rowland Ward supplied mountings to museums all over the world, including the Museum of Tervuren, Belgium.
Rowland Ward Taxidermist to the World Author: PA Morris (2003)
Nine chapters describe the man himself and his early days in business, the taxidermy workshops during the 20th century and the principal personalities that worked there. Separate chapters cover big game whole mounts, head mounts and birds, with sections on fish taxidermy and ‘Wardian’ animal furniture. There is also a collation of the many different label types used by Rowland Ward Ltd. for their products. The text, of 55,000 words, is based on more than 20 years research, interviews with former employees and much unpublished material. Over 250 illustrations include line drawings monochrome photographs and copies of old documents.