A compilation of some very interesting links to public domain ebooks and journals with a focus on natural history, hunting, taxidermy, and the curious side of history.
Artist Photographer, Graphic Designer, and researcher focused on the history of taxidermy and natural history collections, with a special interest in 19th century culture.
Please note: Annick @Aldoworkshop is not affiliated with the Royal Museum for Central Africa, rather a natural history enthusiast dedicatedly passionate about the museum and its mission.
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The "Wounded McCarte Lion" - Modelled by Rowland Ward in 1874.
The McCarte Lion
Considerable interest had been aroused by the death in Manders’ travelling menagerie of Thomas McCarthy, an Irishman professionally known as Massarti, a famous one-armed lion tamer, who was performing on January 3rd, 1872, at Bolton with five lions in one cage, when he was attacked by the animals and killed.
McCarthy had been bitten on three occasions previously to the catastrophe at Bolton. The first time was in 1862, when he lost his left arm, as already related; the second while performing at Edinburgh in 1871, when one of the lions made a snap at his arm, but only slightly grazed it. The third occasion was only a few days before the accident which terminated his career and his life, when one of the lions bit him slightly on the wrist. The fatal struggle at Bolton was preceded by a trifling accident, which may perhaps have done something to lessen the never remarkable steadiness of the man's nerves.
One of the lions, the Silver Mane, or African Lion, died a natural death in January, 1874. The McCarte lion, as it has been called, had been artistically treated by Rowland Ward of Piccadilly as 'A Wounded Lion', all conventionalism being discarded, showing the sound work of an experienced craftsman and the evident result of poetic study. The mighty beast appears in quite a dramatic striking attitude, representing a lion that has been struck by a bullet behind the shoulder, and he sits howling with rage and agony, to send fiery glances at his supposed enemy. It was placed on view in the window of Ward and Co.’s establishment in Piccadilly, where it attracted a great deal of attention.
The "McCarte Lion" - Front and Side view of the head.
Rowland Ward regarded the “McCarte Lion” as one of his most successful pieces of lion work. It was absolutely true to the nature of all measurements, for he kept the flesh beast in the position he wanted it for his work until its condition was such that he could keep it no longer. He has done justice to the scientific and artistic truth of reproductions of animal forms by a correct anatomical use of their outer natural covering, which is not stuffed, but placed on a cast moulded to show the muscles in action.
The Illustrated Sporting and Dramatic News
The Illustrated Sporting and Dramatic News, Nov. 28, 1874.
THE M 'CARTE LION.
We this week give an illustration of the head of the silver mane or African lion which killed M 'Carte, the celebrated lion tamer at Mander's Menagerie, in the year 1872, and which on its death, which occurred last January, was stuffed by Messrs. Ward and Co., the eminent taxidermists, of 158, Piccadilly, where it may now be seen.
The M 'Carte lion, as it has been called, is certainly one of the most remarkable specimens of the art of preserving animals that it has ever been our good fortune to examine. It has been treated from a wholly unconventional point of view, as "A Wounded Lion". A bullet is supposed to have struck the beast behind the shoulder, and sinking on his haunches, he is roaring impotently at his foe with mingled rage and pain.
We need not go into the details of the interior setting-up, beyond stating that the animal to be so treated is first skinned, and then the exterior muscles are separately worked into relief, according to the action to be represented. This will show how much study and knowledge of anatomy are required. A cast is then made, that is modeled again, and so on, until finally a hollow, light and practically indestructible object d'art is produced, entirely removed from the common category of conventional preserving.
No bones have been used except the teeth, the skeleton itself having been bleached and put together separately. The eye is specially worthy of remark; unlike the ordinary glass eye hitherto in use in taxidermy, it seems instinct with life, and stamps Messrs. Ward and Co.'s production as one of the highest merit, which all lovers of natural history would do well to take an early opportunity of visiting.
The Illustrated London News
The Illustrated London News, [Nov. 28, 1874], presented an illustration of THE MACCARTE LION. This is the young African lion of Manders' menagerie, which killed his unfortunate keeper Thomas McCarte.
The Illustrated London News, Nov. 28, 1874.
Death of Massarti, the Lion-tamer.
Horrible Scene
The Illustrated Police News - Terrible scene at Manders 1872.
A correspondent of the Sheffield Independent gives the following harrowing details of the shocking death of Massarti, the lion tamer, at Manders' Circus, in Bolton. [Queanbeyan Age, Thursday 21 March 1872]
A terrible scene occurred in Manders’ Menagerie, at Bolton, about half-past 10 o'clock on Wednesday night, January 3rd, Massarti, the lion tamer, being attacked by the lions, as he was giving the last performance in their den, and so frightfully torn and lacerated that his death resulted a few minutes after he was extricated. The menagerie had been in the town since the previous Friday, and the daring feats of Massarti, the lion tamer, caused no little sensation amongst those who flocked to witness the collection. This was doubtless attributable to some extent to the fact that Massarti had only one arm, his left arm having been torn off by a lion at the circus of Messrs Bell and Myers, in Liverpool, nine or ten years ago.
On the death of Maccomo, the African lion tamer in January last [11 January 1871], he was, by his courageous conduct, selected for the position of 'lion tamer' by Mr. Manders, and he at once essayed to rival his predecessor in his exploits in the lions' den. Being comparatively new to the menagerie Masssarti had not yet been allowed to perform amongst the tigers, but from the very period of Maccomo's death he had entered the lions' cage, and put the animals through their performances. He had been bitten on two occasions whilst in Mr Manders' service. The first time was whilst performing at Edinburgh, when one of the lions made a snap at his right arm, but only slightly grazed it. The next occasion was on Monday last, when one of the black-mane animals, known as the Asiatic lion, bit him slightly on the wrist and finger.
Unlike his predecessor Massarti frequently turned his back, on the lions, and had been repeatedly cautioned against the continuance of this dangerous practice. It is believed that utter disregard of this warning has been the cause of his death.
At the time of his death. At the time of the accident the menagerie was moderately well filled with people, it being computed that about 500 persons were present. Massarti had concluded his descriptive lecture of the animals, and had entered the lions' den for the purpose of giving his final performance. In driving the animals from one end of the cage to the other, one of them ran accidentally against his legs, throwing him down. Massarti, however, soon regained his feet, drove the animals into the corner of the den. He then walked to the centre of the cage, and whilst stamping with he feet upon the floor to compel the lions to run past him, the African lion which is conspicuous for the absence of the mane, crept stealthily out from the group, and sprung towards him, seizing him by the right hip, and throwing him on his side. For a moment the spectators imagined it was part of the performance, but soon the agonized features of Massarti indicated that he was being attacked in reality.
Immediately a scene of wild and terrible confusion ensued. Women screamed, and men ran for pitch forks, brooms, or any weapons they could lay their hand upon. In the meantime, three other lions had lept upon Massarti, who was vainly endeavouring to regain his feet. He was lying upon his side, his head partly raised, and his body resting upon the stump of his left arm, while with his right arm he was making desperate lunges amongst the now wild and infuriated animals with his sword. At length the Asiatic or black mane lion seized the poor fellow's arm, tearing the flesh and fracturing the bones in one or two places, and the sword then dropped from his hand. Several men now came forward with forks scrapers, and other weapons, and essayed to beat the lions off, Massarti encouraging them in their efforts as well as he was able. A slide was inserted between the bars of the cage, and after repeated blows, two of the lions were beaten off, and attempts were made to drive them behind the partition. This was a task, however, of considerable difficulty, for as one animal was compelled to relinquish his hold, another occupied its place, and from the thighs of poor Massarti piece after piece of flesh was torn away, saturating the floor of the den with blood.
A butcher thrust at the lions with a pitchfork forcing the prongs up to the hilt in the neck of one and causing it to yell with pain and turn its attention to its own safety; another he endeavoured a stab to the heart, but the prongs glanced off at the shoulder-bone; while a third received sundry wounds about the face. One man inserted a broom into the cage and another a ladder; but the black-maned lion, with a single wrench, tore the broom-head from off the handle and leapt over the ladder with it. After some difficulty the revolver of Massarti was drawn out of the case, and fired at noses of the lions; but they only relinquished their hold for a moment.
The conflict was renewed again and again and several times Massarti was dragged up and down the cage, one lion seizing him by the head, the others by the legs. Eventually the irons were heated, and by their aid, and the discharge of blank cartridges, four of the animals were driven behind the partition. Massarti then lay in the centre of the cage, with the maneless lion that had first attacked him, still engaged in worrying him. A second partition was inserted, but was found to be too large, and then one of the circus men directed the first slide to be drawn out a little, with the view of driving the fifth lion amongst the rest. More shots were fired, but it was not until the heated bars were applied to the nose of the savage animal that it loosed its hold of Massarti's body, and ran behind the slide. Even then the conflict was not over. Before the partition could be closed, the lion ran partly out again, seized Massarti by the foot, and dragged him into the corner, where four of the animals again: fell upon him with savage fury.
A quarter of an hour elapsed from the time of the attack before Massarti could be extricated, and as the lions were then all caged in the corner near to the entrance, the door at the opposite end of the cage had to be broken open ere he could be lifted out. He was still conscious, and as he was being borne to the infirmary he exclaimed, "I'm done for." He died in a quarter of an hour.
An examination of the body revealed the most frightful injuries. The scalp, from the crown to the neck had been torn away; all the flesh had been torn off both thighs, from the hips nearly to the knees, the right arm was fractured in two places, as well as badly lacerated; and there were also serious injuries to the chest.
Terrible Death of a Lion-tamer.
Bolton Evening News
The gruesome report from the Bolton Evening News, April 13, 1872, is available on Papers Past.
References
Rowland Ward, A Naturalist's Life Study in the Art of Taxidermy, London: Rowland Ward, 1913.
The Illustrated London News, The Maccarte Lion, Nov. 28, 1874.
The Illustrated Sporting and Dramatic News, The M'Carte Lion, Nov. 28, 1874, p.209.
Queanbeyan Age, DEATH OF MASSARTI, THE LION TAMER, HORRIBLE SCENE. March 21, 1872, p.3.
Bolton Evening News, TERRIBLE DEATH OF A LION TAMER, April 13, 1872, p.20.
Major Percy Horace Gordon Powell-Cotton (1866 – 1940) was the archetypal British gentleman hunter and explorer, who created a unique private museum of big game taxidermy in the grounds of his home, Quex Park at Birchington-on-Sea, Kent, England.
In one of the displays is the lion — it is shown attacking a buffalo — which savaged Major Percy, almost fatally, whilst on his honeymoon safari in Africa in 1906. Apparently, a native described to Powell-Cotton how he had seen this identical lion attack and pull down a full-grown buffalo, and this striking group, set up by Rowland Ward, is a remarkable examples of the taxidermist's skill to capture the drama of hunting. Ward himself believed that it was one of his finest achievements.
The brute is mounted locked in a deadly battle with a Semliki red buffalo (Bos caffer cottoni), which is a subspecies named after the collector. The lion digs his claws into the buffalo’s muzzle as he attempts to pull the animal downwards to deliver a killer bite. The bull is struggling to shake off its aggressor, goring the lion’s flesh with its horn. Forever frozen in dramatic life or death battle, the group exerts a strange fascination.
Lion and Semliki Buffalo, Shot by Major P.H.G. Powell Cotton, Edward Nyanza.
Sketch Rowland Ward, A Naturalist's Life Study, 1913.
On Friday, 12th October 1906, Powell-Cotton left us a vivid account of the incident in his journal and a number of other objects connected with it can be seen at the Powell-Cotton Museum, such as the claw-shredded Burberry jacket and a copy of Punch are on display with a label explaining that it ‘prevented the lion’s claws from penetrating the Major’s abdomen’.
The lion incident was well publicised after the Major got back to England.
An absorbing account of Powell-Cotton's sport and adventure in Central Africa appeared in the pages of "true-life" adventure and news magazines, such as The Wide World, Journal des Voyages, The Graphic and The Illustrated London News. The following is a news report based on articles that appeared in various newspapers.
Two Years In Savage Africa
MAJOR POWELL-COTTON'S ADVENTURES
Major Powell-Cotton, who has spent his honeymoon among the pygmies of the Ituri Forest and has been exploring in Africa for twenty-seven months, is now on his way home. He has given a vivid account of his adventures.
Owing to the friendly attitude of the Belgian Government and Egyptian and Sudan authorities, he was permitted to travel with his own armed colored escort. During the entire journey, Major Powell-Cotton was the only white man of the party.
He had intended to return home on the conclusion of his expedition to be married, but finally decided not to interrupt his journey, and accordingly arranged for his fiancee to go out to Africa. The marriage took place on her arrival in East-Africa in 1905, after which Mrs. Powell-Cotton shared her husband's hardships-and dangers.
NEW ANIMALS DISCOVERED
Species of forest animals hitherto unknown to science were shot. These include the dusky African tiger cat, about the size of leopard, the honey badger, or black Ituri ratel, the elephant shrew, 'an antelope attired with tusks’, which dives under water, a new black and white monkey and an immense red buffalo. Five of these animals have been named after the explorer by the British Museum authorities.
Dealing with some of the incidents of his travels, Major Powell-Cotton said: "One of the officials at Wadelai told me a curious story of how the natives in the vicinity dispose of the old folk when they become a burden. As soon as the infirmities of age manifest themselves the old people are given a soothing draught and wrapped in a fresh antelope skin. Thus attired they are carried by members of their family to a spot some distance from the village, and are abandoned in the grass close to a native track.
“The first native coming by sees what he thinks is an antelope and spears it, whereupon the victim's family emerge from their hiding-places and express horror and surprise at the unfortunate incident.”
Speaking of his experience with the pygmies, Major Powell-Cotton said: "The excitement of these 'little people' when they first saw my wife was extraordinary, for they had, of course, never previously beheld a white woman. Perhaps the chief source of wonder was her long hair which, for the special benefit of the dwarfs, she would let down, while they crowded round our tent in speechless wonder.”
Entertaining the Pygmies: Mrs. Powell-Cotton Exhibiting her Wealth of Hair to an Admiring Crowd, illustration by F. De Haenen, The Graphic, An Illustrated Weekly Newspaper, 1907.
SAVED BY «PUNCH»
Le Treizième Lion, illustration FD, Journal Des Voyages, 1907.
In October, while on the bank of the Sassa River, near Lake Albert Edward, Major Powell-Cotton had the narrowest possible escape from death. The expedition was in a country infested by lions, who played round the camp every night, but always disappeared before daybreak.
One morning, however, the explorer saw a very large solitary male making his way back to the jungle on the river bank, and, cutting him off, fired, wounding the beast badly. Meantime the animal got into the brushwood, where it was almost hidden, and an hour and a half later Major Powell-Cotton, thinking the lion too badly wounded to move, approached, accompanied by some of his men, who threw mud at the beast. The latter, however, did not budge, but on a sandal and a stick being hurled at him he rose, emitting a loud roar, and charged, open-mouthed, at Major Powell-Cotton, who was only a few yards distant.
The latter instantly fired both barrels, but this failed to stop the lion, and the explorer, on turning to his bearer for another gun, found that he had bolted. There being no time to reload, Major Powell-Cotton hurled the gun into the lion's face and turned to run. As he did so the wounded animal sprang, and, digging his claws in Major Powell-Cotton's back and legs, bore him to the ground. The infuriated lion, which it was subsequently found had had its jaw smashed by one of the bullets, tore its victim's coat to shreds and vainly endeavored to raise his head and get at the eyes. It then attempted to tear open the abdomen, but owing to a folded copy of 'Punch' which Major Powell-Cotton had in his pocket the brute's claws were unable to penetrate the flesh. While the Major, lay almost crushed under the animal one of the porters rushed at the lion and hit him on the head with a stick.
At the same time the Waganda headman, with great pluck, ran up and slashed the animal across the eyes with a kiboko (hippo-hide whip). This diverted the beast's attention, and at that moment an Askari shot him dead. It was then found that Major Powell-Cotton had received seventeen wounds. He, however, rode to the nearest Belgian camp, where he was nursed back to health by Commandant Bastien. This incident happened on a Friday, and it was the explorer's thirteenth lion.
The three men who saved the Major's life when he was attacked by the lion in the foreground.
Photograph Powell-Cotton, The Wide World Magazine, 1907.
PUNCH MAGAZINE most intrigued by the story, published the following verses.
Aes Triplex means literally ‘Triple Bronze’ and figuratively, courage, from a line in Horace's Odes that reads: “Oak and triple bronze encompassed the breast of him who first entrusted his frail bark to the fierce sea”. One needs courage to do this, the same courage shown by the first sailor who set out to sea.
Artist Photographer, Graphic Designer, and researcher focused on the history of taxidermy and natural history collections, with a special interest in 19th century culture.
The mounting of the Tervuren elephant took 12 men and six months to complete. The process was filmed at Rowland Ward's workshop. However, the film is lost, or at least presumed lost. Could it be that this unique bit of Rowland Ward history has vanished without a trace ? - Read more Here
Africa Museum Tervuren
Rowland Ward & RMCA
Rowland Ward supplied mountings to museums all over the world, including the Museum of Tervuren, Belgium.
Rowland Ward Taxidermist to the World Author: PA Morris (2003)
Nine chapters describe the man himself and his early days in business, the taxidermy workshops during the 20th century and the principal personalities that worked there. Separate chapters cover big game whole mounts, head mounts and birds, with sections on fish taxidermy and ‘Wardian’ animal furniture. There is also a collation of the many different label types used by Rowland Ward Ltd. for their products. The text, of 55,000 words, is based on more than 20 years research, interviews with former employees and much unpublished material. Over 250 illustrations include line drawings monochrome photographs and copies of old documents.